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BIOGRAPHY

Hannah Dowling is a curator, writer and creative based in London and Malta, with a background in art history, theatre, and curating contemporary art. She is dedicated to experimental and boundary-pushing methods of curation which explore the performative role of the curator, and the unique affective power to transform. Through her curatorial narrative, she seeks to create an experience for viewers and collaborators whereby they can be affected by a project and potentially ‘find themselves’ in it. 

Betty C Fan is a Hong Kong/USA raised Taiwanese artist working across sculpture, sound, and performance, their practice explores how identity, matter, and memory resonate across time and place. Based in London, their work currently centers around sculptural acoustic instruments, objects created from elemental materials like clay, rice, and aluminum, which are activated through improvisational performances. These works function as both sonic tools and ritual vessels, allowing access to something deeper than personal history: a shared, embodied archive of cultural and ecological memory.

This collaboration culminates in a totally unique, visceral experience where the boundaries between curator and creator completely dissolve. By having Hannah feed literature directly to Betty, the written narrative becomes raw, sensory fuel—instantly translated into a live, improvised acoustic performance. It is an intense, real-time feedback loop where text is digested and reborn as physical resonance, pulling the audience into a living dialogue where the spoken word and improvised sound collide.

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In The Living Room

The performance at Gallery 44 is a live improvised dialogue between text and sound, unfolding in real time as a shared sensory experience.

Curator and writer Hannah Dowling writes instinctively in response to the atmosphere of the room, allowing language to emerge naturally through emotion, movement, and presence. Alongside her, multidisciplinary artist Betty C. Fan performs immersive experimental soundscapes using custom-made ceramic instruments, creating rich layers of evolving sound that react to both the space and the writing itself.

​Together, the two artists create a performance that is completely unique to the moment it is experienced. Guided by improvisation and instinct, the work captures a rare sense of flow, where writing and sound continuously shape one another in real time. The result is an intimate and immersive environment in which language, rhythm, and atmosphere merge into a single living performance.

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