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For high-resolution images and interviews: jino@gallery44.co.uk.

Installation images The House Has a Body
  • The front room in warm light: Marisa Müsing’s steel chair and coat rack on white plinths, a hand mirror above the fireplace, and Hayfa Algwaiz’s painting on the wall.
    The front room, The House Has a Body.
  • The living room in daylight: two green armchairs and a marble table in front of a cream sofa, with a painting above and garden doors to the left.
    The living room, The House Has a Body.
  • Four aluminium poppy reliefs arranged two by two on a white wall.
    Monya Riachi, Futures — wall view.
  • Slender curved poppy stems and seed heads against a softly blurred pale background.
    Poppy detail, The House Has a Body.
  • The silver hand mirror hung alone on the chimney breast in a pool of warm light.
    Marisa Müsing, Cry, Baby Mirror, 2026, above the front-room fireplace.
  • The top of the steel coat rack, opening into three curved arms like a flower.
    Marisa Müsing, Cry, Baby Coat Rack, 2026, detail.
  • The front window at night, the exhibition title on the glass and an embossed aluminium panel on the wall.
    The exhibition title on the front window at night, with Monya Riachi, Futures.
  • The House Has a Body lettering on the gallery window at dusk, with reflected terraces and the warmly lit chair, coat rack and artworks inside.
    The window at dusk, The House Has a Body.
  • Gallery 44 at night: the lit front window of 44 Chalcot Road, the exhibition title on the glass.
    Gallery 44 at night, with the exhibition title in the front window.
  • The bedroom: a bed with cushions and lamps, and the tile-back panel hanging on the wall beside it.
    Bedroom: Monya Riachi, We Speak Unseen, Tongues Winding.
  • The hallway: a small framed work above a shelf and lamp, glass doors open to the garden.
    Hallway: Monya Riachi, I am a poppy too (will you remember me?).
  • The walled garden by day: a single wired poppy stalk rising from a block fragment on the paving.
    Garden by day: Monya Riachi, Emergence.
  • The walled garden at night: the poppy stalk lit against dark planting.
    Garden at night: Monya Riachi, Emergence.
  • The front room by day: the chair and coat rack on white plinths, the mirror above the fireplace.
    Front room by day: Marisa Müsing, Cry, Baby Chair, Coat Rack and Mirror, 2026.
  • The front room at night: the chair and coat rack lit from below on white plinths, a fireplace at left.
    Front room at night: Marisa Müsing, Cry, Baby Chair and Coat Rack, 2026.